Adam Miller
Profile
Clients & Collaborators: Alex Baranowski, David Housden, Thomas Farnon, Peter Gregson, Jessica Jones, Emilie Levienaise-Farrouch, Nitish Raina, Sam Thompson
Over a decade spent in-house at AIR, Adam perfected his craft on feature films and classical records, games, and major stadium shows, working with the best and most innovative in the industry.
With a diverse and expansive portfolio, Adam’s significant contributions include, recording and mixing Bobby Krlic’s captivating score for Ari Aster’s unsettling horror film Midsommar and the collaborative score of the 2024 hit nostalgic romantic comedy series One Day for Anne Nikitin, Jess Jones, and Tim Morrish. Mix projects include ethereal duo Vanbur’s 2025 album Of Becoming, Emilie Levienaise-Farrouch’s score for both Prano Bailey-Bond’s critically acclaimed 2021 Sundance debut Censor and Levienaise-Farrouch’s score for BAFTA nominated picture H is for Hawk, as well as the score for hit comedy Everyone Else Burns by Thomas Ross Fitzsimons.
His long-term collaboration with composer Peter Gregson has included recording and mixing his Deutsche Grammophon debut Recomposed by Peter Gregson: Bach – The Cello Suites, as well as co-producing Gregson’s album, Patina. More recently, he engineered and mixed Gregson’s BBC drama Lost Boys and Fairies, and Atmos mixed Peter Gregson’s self-titled 2025 album.
Credits
Score Engineer & Mixer
Lost Boys and Fairies - Peter Gregson
One Day - Anne Nikitin, Jessica Jones and Tim Morrish
Dream Horse - Benjamin Woodgates
David Holmes: The Boy who Lived - Tandis Jedhunson
Score Engineer
Midsommar - Bobby Krlic
I.S.S - Anne Nikitin
Have You Heard George’s Podcast? - Benbrick
Score Mixer
H is for Hawk - Emilie Levienaise-Farrouch
JFK: One Day In America - Sam Thompson
The Tinder Swindler - Jessica Jones
Engineer & Mixer
Peter Gregson (Self-Titled Album) - Peter Gregson
Of Becoming - Vanbur
Discover all of Adam’s Film & TV work on IMDb
Ellie Goulding - Brightest Blue - String and Gospel Choir Recording Engineer
Ellie Goulding - Halcyon Days - String Recording Engineer
Ellie Goulding - O Holy Night - Recording Engineer
George Michael - Symphonica - Recordist
Pete Tong & the Heritage Orchestra - Classic House - Editor
Kathryn MacLennan - The Ebbing Tide - Mixer
Peter Gregson - Bach Recomposed - Recording & Mix Engineer
Peter Gregson - Patina - Engineer & Co-producer
Peter Gregson - Peter Gregson - Atmos Mixer
Kathryn MacLennan - As The Light Disappears - Mixer
Vanbur - Of Becoming - Engineer & Mixer
Bràthair - A Safe Place - Mixer
Thom Robson, LUME, Zara Kershaw - Begun To Feel - Mixer
Tom Kinsella - Back to Loneliness - Engineer & Mixer
Evgeny Grinko - Melting - Mixer
David Farnon - Retrospection - Mixer
Dallas String Quartet & LSO - ROMANI: The Untold Story - Mixer
Byron McKay - Prehistoric Kingdom: Soundtrack, Vol. 1 - Mixer
Moritz Wanger - Stones (Original Motion Picture Soundtrack) - OST Mixer
Kerry Muzzey - Future City (Atmos) - Mixer
Moritz Wanger - Solstice - Mixer
Bràthair - Recede - Mixer
Mikel Dale - Kandria - Mixer
Vanbur - Human - Mix Engineer
Thomas Farnon - A - Recording & Mix Engineer
Jasha Klebe - Time-Lapse - Recording & Mix Engineer
Thomas Farnon - Reverie - Recording & Mix Engineer
Recent Projects
H is for Hawk
Composer: Emilie Levienaise-Farrouch
Score Engineer: Olga Fitzroy
Mix Engineer: Adam Miller
Spotify Playlist
Contact
Discuss Adam Miller working on your next project.
Lucy Matthews or Pickles – management@airstudios.com