Adam Miller

Clients & collaborators: Alex Baranowski, Thomas Farnon, Peter Gregson, Bobby Krlic, Emilie Levienaise-Farrouch

Over a decade spent in-house at AIR, Adam has perfected his craft on feature films and classical records, games, and major stadium shows, working with the best and most innovative in the industry.

Adam co-engineered the soundtrack for Hans Zimmer and Jacob Shea’s BBC Planet Earth: A Celebration, and recorded Bobby Krlic’s transfixing score for Midsommar. Recently he mixed Emilie Levienaise-Farrouch’s foreboding track for Prano Bailey-Bond’s Sundance debut, Censor, and engineered and mixed Benjamin Woodgates’ music for sports drama, Dream Horse and war drama Benediction. Likewise, Adam has been a long-term collaborator of composers Thomas Farnon and Peter Gregson.

As part of his long-standing partnership with production company Musicom, Adam has been recording and mixing for large arena shows like the pioneering 360° surround sound UAE’s 46th National Day and the 2017 Asian Indoor & Martial Arts Games ceremonies. He is currently planning on working with live, experiential, and immersive audio, as new developments emerge in 3D audio.

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Head here for industry insights, his bucket list, and guilty pleasures in Adam’s latest interview with CMG.