About

AIR Mastering specialises in all formats of analogue and digital mastering, providing high-end audio services to the global music industry. From independent artists to major labels and cult TV soundtracks to Hollywood blockbusters, our team has the craft and vision to enhance your release.

For all mastering enquiries, please contact lucylaunder@airstudios.com.

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John Webber

AIR Studios Chief mastering engineer John Webber is a Grammy winner and has worked with a diverse range of artists, from indie darlings to musical legends and regarded as one of the most highly skilled mastering engineers in the UK, having worked on dozens of official UK no1 albums in every format.

His recent notable projects include mastering the SAY Award-winning album Dinny Greet by rEDOLENT and chart-topping albums like Unreal Unearth by Hozier. He has also mastered critically acclaimed works by BBC 6 Music favourites and popular indie acts such as Honeyglaze, Ash, Divorce, Pip Blom, Band Of Skulls, Sløtface, Humour, 86TVs, Peace, Brògeal, Highschool, English Teacher, Coach Party & Black Honey.

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Jasper Ward

Joining AIR in 2019, Jasper has established a dedicated client base and is a highly regarded mastering and vinyl cutting engineer. He prioritises a collaborative workflow that pivots on clear communication and a strong appreciation for the artist’s perspective.

In mastering, Jasper has worked with both major labels and independent artists, gaining credits with David Bowie, Adam Lambert, Olivia Dean, Yard Act, ArrDee, Jazmin Bean, English Teacher, and Divorce. Jasper has a particular proficiency in stem mastering, which offers greater flexibility and precision in shaping a track/album.

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Natalie Bibby

Natalie began her career at Metropolis Studios, where she spent nearly a decade developing a distinctive mastering style that bridges traditional techniques and knowledge with her own modern perspective. With a background in mixing, she intuitively connects with artists and their creative intent, and is dedicated to delivering masters that bring their music to the world with clarity, impact, and emotional depth.

Natalie has worked with the likes of Kraftwerk, Bring Me The Horizon, Lola Young, Jimmy Eat World, The Vaccines, Lewis Capaldi, GIRLI, and CATTY. A recent career highlight was leading a world-class mastering workshop at Peter Gabriel’s Real World Studios, UK.

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Henry Rudkins

Henry has cut releases for artists such as Calvin Harris, Gorillaz, Deep Purple, Rudimental, alt-J, Cian Ducrot, Griff, Florence Road, Arlo Parks, Soft Cell, and Matt Maltese. Recent projects include RudimentalRudim3ntal, KT TunstallEye to the Telescope (20th Anniversary Edition) and Deep PurpleMade In Japan (Super Deluxe Edition). Henry’s passion for music began from a young age when he started playing drums and guitar, creating a desire to learn the ins and outs of audio engineering.

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Phil Kinrade

As a mastering engineer specialising in catalogue, mainstream, compilations, and restoration, Phil has worked with iconic artists such as Donna Summer, Frank Black, The Specials, Suede, Stewart Copeland, Echo & The Bunnymen, Erasure, Madness, Ultravox & Moby. More recently, he has been audio mastering for KT Tunstall Eye To The Telescope 20th Anniversary package, Kenny Thomas new album Unstoppable & the forthcoming new album by The Hoosiers.

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Barry Grint

Barry is now only available for special mastering projects, if you wish to enquire about Barry please contact Lucy Launder on lucylaunder@airstudios.com

One of the most celebrated mastering engineers in the industry, Senior Mastering Engineer Barry ‘Bazza’ Grint started his career in 1984 and founded Alchemy in 1998, after working at Abbey Road, Porky’s Mastering, Tape One, and the legendary Trident Studios.

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AIR Studios Chief mastering engineer John Webber is a Grammy winner and has worked with a diverse range of artists, from indie darlings to musical legends and regarded as one of the most highly skilled mastering engineers in the UK, having worked on dozens of official UK no1 albums in every format.

His recent notable projects include mastering the SAY Award-winning album Dinny Greet by rEDOLENT and chart-topping albums like Unreal Unearth by Hozier. He has also mastered critically acclaimed works by BBC 6 Music favourites and popular indie acts such as Honeyglaze, Ash, Divorce, Pip Blom, Band Of Skulls, Sløtface, Humour, 86TVs, Peace, Brògeal, Highschool, English Teacher, Coach Party & Black Honey.

See More

Joining AIR in 2019, Jasper has established a dedicated client base and is a highly regarded mastering and vinyl cutting engineer. He prioritises a collaborative workflow that pivots on clear communication and a strong appreciation for the artist’s perspective.

In mastering, Jasper has worked with both major labels and independent artists, gaining credits with David Bowie, Adam Lambert, Olivia Dean, Yard Act, ArrDee, Jazmin Bean, English Teacher, and Divorce. Jasper has a particular proficiency in stem mastering, which offers greater flexibility and precision in shaping a track/album.

See More

Natalie began her career at Metropolis Studios, where she spent nearly a decade developing a distinctive mastering style that bridges traditional techniques and knowledge with her own modern perspective. With a background in mixing, she intuitively connects with artists and their creative intent, and is dedicated to delivering masters that bring their music to the world with clarity, impact, and emotional depth.

Natalie has worked with the likes of Kraftwerk, Bring Me The Horizon, Lola Young, Jimmy Eat World, The Vaccines, Lewis Capaldi, GIRLI, and CATTY. A recent career highlight was leading a world-class mastering workshop at Peter Gabriel’s Real World Studios, UK.

See More

Henry has cut releases for artists such as Calvin Harris, Gorillaz, Deep Purple, Rudimental, alt-J, Cian Ducrot, Griff, Florence Road, Arlo Parks, Soft Cell, and Matt Maltese. Recent projects include RudimentalRudim3ntal, KT TunstallEye to the Telescope (20th Anniversary Edition) and Deep PurpleMade In Japan (Super Deluxe Edition). Henry’s passion for music began from a young age when he started playing drums and guitar, creating a desire to learn the ins and outs of audio engineering.

See More

As a mastering engineer specialising in catalogue, mainstream, compilations, and restoration, Phil has worked with iconic artists such as Donna Summer, Frank Black, The Specials, Suede, Stewart Copeland, Echo & The Bunnymen, Erasure, Madness, Ultravox & Moby. More recently, he has been audio mastering for KT Tunstall Eye To The Telescope 20th Anniversary package, Kenny Thomas new album Unstoppable & the forthcoming new album by The Hoosiers.

See More

Barry is now only available for special mastering projects, if you wish to enquire about Barry please contact Lucy Launder on lucylaunder@airstudios.com

One of the most celebrated mastering engineers in the industry, Senior Mastering Engineer Barry ‘Bazza’ Grint started his career in 1984 and founded Alchemy in 1998, after working at Abbey Road, Porky’s Mastering, Tape One, and the legendary Trident Studios.

See More

Services

AIR Remote Mastering will master your project within 48 hours from £100 per track. Book, pay and upload your project and our engineers will start work on your track right away.
Stem mastering offers a higher level of precision in shaping the sonic characteristics of your music. Unlike traditional mastering, which works with a single stereo mix, stem mastering gives the engineer access to individual elements of the track. This approach allows for more detailed adjustments to EQ, dynamics, and overall balance, giving you the freedom to fine-tune your mix with greater accuracy.

Mastering for Atmos by John Webber. Our renowned 7.1.4 Dolby approved facility is now equipped to take your Atmos mixes to the next level, providing the final sonic touches and ensuring the seamless delivery of your spatial content.
We cut your audio onto a 14" lacquer (a pre-master) ready for the pressing plant to create your vinyl records. Our experienced engineers perform the transfer on our VMS80 cutting lathe and ensure your music is optimised for the format.

Half Speed Cutting sets the turntable, electronics and audio half its original speed for improved groove ‘accuracy’ as the cutting takes twice as long to transcribe the audio. This reduces mechanical stress and results in a smoother, more natural top end.
At AIR Mastering, our expert conservation & archive specialist Phil Kinrade is at the forefront of preserving and safeguarding the sounds that shape our cultural legacy. With unparalleled expertise, Phil specializes in transferring music to secure, future-proof, high-resolution formats, ensuring that recordings stand the test of time. Your tape or digital audio is fed through our range of top-end analogue/digital processors producing a digital WAV file for use on all music streaming services.

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Contact

Contact Lucy Launder for more information about AIR Mastering by using the form below.