AIR Management is the UK’s only agent for film and TV score producers, engineers and mixers. Our roster includes some of the leading studio talent in orchestral recording.
Many Grammy, Golden Globe, Oscar and BAFTA winning film scores are made at AIR. If they aren’t made here, it’s very often the people we represent that are recording and mixing them elsewhere.
Jon is a freelance engineer, co-producer and mixer who frequently works with Grammy Award-winning producer/composer Simon Franglen, recording and mixing on films and related projects, such as Avatar (end title track), One Direction’s film This Is Us in 3D, and the music for the Lionsgate theme park ride, Twilight Saga: Bella’s Journey.See full profile
Tom regularly works with names in both the music and film and TV world. He recorded the orchestral elements of Thom Yorke’s score for Suspiria, as well as elements of his short film collaboration with Paul Thomas Anderson, Anima.See full profile
Goetz is an accomplished film and TV score mixer, whose recent projects include Four Kids and It, Mrs Wilson, American Animals and Untouchable for Anne Nikitin, War and Peace with Martin Phipps, Doctor Who Series 11 and 12 with Segun Akinola, and the Oscar-nominated Steve Jobs, with and Daniel Pemberton.See full profile
Fiona joined AIR Management in 2018 and has already been involved with several high-profile film and TV scores, classical recordings and pop mixing projects. These include the mix for How to Build a Girl for Oli Julian, the co-mix for Dario Marianelli’s score on Bumblebee, score editing and recording for Marc Shaiman on Mary Poppins Returns.See full profile
Rupert is one of the few engineers to have experienced all three incarnations of AIR Studios, having started out at AIR’s legendary Oxford Street studio in 1987, and, via a stint at AIR Montserrat, moving with us to AIR Studios Lyndhurst where he finally joined the AIR Management roster.See full profile
Olga has been on our roster since 2013 and is a former Music Producers Guild Recording Engineer of the Year. She has worked with Oscar-winning composers and some of the world’s biggest bands on records for Coldplay, Fighters and Muse, as well as film and TV scores such as The Crown for Martin Phipps, The Innocents for Carly Paradis, The Last Tree and Doctor Who for Segun Akinola and Gentleman Jack for Murray Gold.See full profile
Geoff has established himself as one of the leading recording engineers in the film scoring world. Starting with Stargate in 1994, he has worked on scores for numerous major movies and albums for bestselling artists. These include scores nominated for Oscars, BAFTAs, Golden Globes and a Golden Reel.See full profile
Jake is one of the UK’s biggest names in film-score engineering & mixing, with the scores of Under The Skin for Mica Levi, Cinderella for Patrick Doyle and Pete’s Dragon for Daniel Hart listed on his CV. His mixing credits also include BAFTA Games-winning Everybody’s Gone to the Rapture by Jessica Curry.See full profile
Adam’s career began as an intern at British Grove, followed by working over a decade in-house at AIR. He’s honed his craft alongside some of the finest producers, engineers and musical talent in the world, on everything from feature films to classical records, games and major stadium shows.See full profile
Lee’s skill, versatility and experience as a producer/engineer/mixer have seen him turn his hand to collaborations with top acts across the whole range of contemporary music, from hip-hop and urban to indie and pop.See full profile
Nick is a highly skilled musical engineer, mixer and producer and his vast experience places him at the forefront of the film score and classical music world. In 2008 he recorded and mixed Dario Marianelli’s score for Atonement, which went on to collect an Oscar for Best Original Score.See full profile
Discuss our producers, engineers and mixers working on your next project.
Lucy Matthews or Katy Pickles – firstname.lastname@example.org