About
AIR Management is the leading 360° agency for film and TV score producers, engineers, and mixers, operating in a freelance capacity across the UK and internationally.
Our award-winning, stylistically diverse roster has led the field of orchestral recording and mixing for over three decades. Today, hundreds of Grammy, Golden Globe, Oscar, and BAFTA-winning and nominated scores mark the technical and artistic mastery of AIR Management talent.
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If you’re looking for an engineer:
At AIR Management, we are committed to tailoring each experience, with personalisation, flexibility, and transparent project management at the core of every project.
What to expect:
- Initial assessment to match roster talent to project according to your requirements and preference concerning genre, style etc.
- Genuine relationships and regular contact to ensure successful long-term partnerships.
- Transparent project-wide budgeting.
If you are an engineer:
We take pride in servicing our high-end roaster with every aspect of securing work, building networks, and managing personal branding.
What to expect:
- Early sourcing and third-party outreach for relevant projects to match each roster engineer’s requirements.
- Negotiating rates in line with current market pricing and client portfolio and history.
- Coordinating royalty and back-end deals, including contract administration.
- Bespoke cross-channel promotion for engineers’ profile and latest work, i.e. website, social media, IMDb, Wikipedia.
- Consistent client liaison and relationship management in view of long-term partnerships.
- Co-ordinate bookings/ Diary management/ Invoice management/ Equipment hire/ Travel arrangements.
- Networking and expanding client base/ Market research.
Jon is a freelance engineer, co-producer and mixer who frequently works with Grammy Award-winning producer/composer Simon Franglen, recording and mixing on films and related projects, such as Avatar (end title track), One Direction’s film This Is Us in 3D, and the music for the Lionsgate theme park ride, Twilight Saga: Bella’s Journey.
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Tom regularly works with names in both the music and film and TV world. He recorded the orchestral elements of Thom Yorke’s score for Suspiria, as well as elements of his short film collaboration with Paul Thomas Anderson, Anima.
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Goetz is an accomplished film and TV score mixer, whose recent projects include Four Kids and It, Mrs Wilson, American Animals and Untouchable for Anne Nikitin, War and Peace for Martin Phipps, Doctor Who Series 11 and 12 for Segun Akinola, and the Oscar-nominated Steve Jobs for Daniel Pemberton.
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Fiona joined AIR Management in 2018, having already been involved with several high-profile film and TV scores, classical recordings, and pop mixing projects. She has since become a sought-after engineer among composers, artists, producers, and musicians. Notable collaborators include Nick and Ben Foster, Oli Julian, Marc Shaiman, Alex Baranowski, Keaton Henson, and Christopher Benstead.
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Rupert is one of the few engineers to have experienced all three incarnations of AIR Studios, having started out at AIR’s legendary Oxford Street studio in 1987, and, via a stint at AIR Montserrat, moving with us to AIR Studios Lyndhurst where he joined the AIR Management roster.
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Clients & collaborators: Segun Akinola, Coldplay, Murray Gold, Tom Hodge, Carly Paradis, Martin Phipps
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Clients & collaborators: Craig Armstrong, David Arnold, Klaus Badelt, Volker Bertelmann, Bjork, Nicholas Britell, Clint Mansell, Joni Mitchell, Hans Zimmer
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Paul Golding is an industry renowned sound engineer with a career spanning over 30 years. Having co-engineered on the blockbusting trilogy The Lord of The Rings, Paul’s versatile portfolio spans across genres and partnerships such as his long-term collaboration with John Lunn.
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Clients & Collaborators: Nick Cave & Warren Ellis, Jessica Curry, Partick Doyle, Murray Gold, Daniel Hart, Natalie Holt, Mica Levi, Joseph Trapanese, Isobel Waller-Bridge, Benjamin Wallfisch
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Adam’s career began as an intern at British Grove, followed by working over a decade in-house at AIR. He’s honed his craft alongside some of the finest producers, engineers and musical talent in the world, on everything from feature films to classical records, games and major stadium shows.
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Clients & collaborators: George Fenton, Harry and Rupert Gregson-Williams, Floating Points & Pharoah Sanders, Robbie Williams
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Nick is a highly skilled musical engineer, mixer and producer and his vast experience places him at the forefront of the film score and classical music world. In 2008 he recorded and mixed Dario Marianelli’s score for Atonement, which went on to collect an Oscar for Best Original Score.
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Contact
Discuss our producers, engineers and mixers working on your next project.
Lucy Matthews or Katy Pickles – management@airstudios.com